6 Following

The Review Man

Formerly of Goodreads, now of both words, in the coming times only here?

Currently reading

Survival: A Thematic Guide to Canadian Literature
Margaret Atwood
Lila: An Inquiry Into Morals
Robert M. Pirsig
Simulacra and Simulation (The Body, In Theory: Histories of Cultural Materialism)
Jean Baudrillard, Sheila Faria Glaser
Leaven of Malice
Robertson Davies
The Salterton Trilogy
Robertson Davies
Effi Briest (Penguin Classics)
Theodor Fontane
Empires of the Word: A Language History of the World
Nicholas Ostler
Cases And Materials On The Law Of Torts
Robert M. Solomon
Public Law : Cases Materials and Commentary
Philip Bryden, Craik, Neil, Craig Forcese, Forcese, Craig
A Property Law Reader
Bruce H. Ziff

De musica

De musica - Augustine of Hippo I read De Musica for a medieval music class. My first impression? Augustine sure knew how to bore his readers. While Confessions and many of his other works are (at least somewhat) theologically sound, De Musica rambles on about the numerical importance of rhythm in music. Augustine constructs an elobrate yet faulty argument about the power of God manifested through the number of syllables in certain rhythmic patterns. It's all quite reminiscent of early Greek music criticism; Augustine isn't treading any new ground here, and he's certainly not rehashing it in an interesting fashion.

If you must read it, concentrate on Books I and VI. Book I provides an interesting definition of music (basically, he calls it "the art of skillfully making good sounds") that Augustine uses to set the tone for the rest of De Musica. Book VI abandons most of the pointless metrical rhetoric and ambitiously attempts to frame music as some sort of transcendental, spiritual language. I wasn't convinced by his arguments, but it gave some insight into Augustine's opinions on art, truth and beauty.

2 stars.